Although best known for his plays, William Shakespeare (1564 – 1616) was also a poet who achieved extraordinary depth and variety in only a few key works. This edition of his poetry provides detailed notes, commentary and appendices resulting in an academically thorough and equally accessible edition to Shakespeare’s poetry.

That Shakespeare thematized time thoroughly, almost obsessively, in his plays is well established: time is, among other things, a 'devourer' (Love's Labour's Lost), one who can untie knots (Twelfth Night), or, perhaps most famously, simply ‘out of joint’ (Hamlet). Yet most critical commentary on time and Shakespeare tends to incorporate little focus on time as an essential - if elusive - element of stage praxis. This book aims to fill that gap; Wagner's focus is specifically performative, asking after time as a stage phenomenon rather than a literary theme or poetic metaphor.

Focusing on Shakespeare and race, this book addresses the status of Othello in our culture. Erickson shows that contemporary writers' revisions of Shakespeare can have a political impact on our vision of America.

This edited collection of essays on Shakespeare includes writings on Shakespeare in his time, in our time, and in the future. It looks at why we talk so much about Shakespeare by considering the dominant views and theories on his work at the beginning of the new millennium. Essays included examine topics such as touring practices in Shakespeare's day, the history of the Royal Shakespeare Company, Shakespeare in relation to his contemporaries, Shakespeare and homoeroticism and Shakespeare and the future.

By reading the plays in technological contexts, Cohen offers new insights into some of Shakespeare's key metaphors, his methods of character development and plot development, his ideas about genre, his concept of theatrical space, and his views on the theatre's role in society.