Puppet

Living a no-strings-attached life in glamorous Palm Beach, beautiful, steely-nerved criminal attorney Amanda Travis knows exactly what she likes: spinning classes, the color black, and one-night stands. Here's what she dislikes: the color pink, nicknames...and memories. Which is why she has shut the door on two ex-husbands, her estranged mother, and her hometown of Toronto. Then comes the news that will shatter Amanda's untouchable world: her mother, who has always held a strange power over everyone she encounters, has shot and killed a complete stranger.

Blossom

Two things bring Burke from New York to Indiana: a serial sniper whose twisted passion is to pick off couples on lovers' lane. Virgil's nephew is the innocent prime suspect, and Burke vows to find the real killer the right way - or the Burke way. And when comes Blossom. Slim, gorgeous, brilliant. She's got a heated interest in the murders... and in Burke.

Hard Candy

In this mercilessly compelling thriller, Burke—the private eye, sting artist, and occasional hit man who metes out a cruelly ingenious vengeance on those who victimize children—is up against a soft-spoken messiah, who may be rescuing runaways or recruiting them for his own hideous purposes. But in doing so Burke becomes a target for an entire Mafia family, a whore with a heart of cyanide, and a contract killer as implacable as a heat-seeking missile. Written with Vachss's signature narrative overdrive—and his unnerving familiarity with the sub-basement of American crime—Hard Candy is vintage Burke.

Blue Belle

Burke is one of the most cold-blooded yet strangely honorable heroes in the history of crime fiction, an outlaw who makes his living by preying on the most vicious of New York City’s bottom-feeders, those who thrive on the suffering of children.

Adjectives and Adverbs: Syntax, Semantics, and Discourse

In this volume leading researchers present new work on the semantics and pragmatics of adjectives and adverbs, and their interfaces with syntax. Its concerns include the semantics of gradability; the relationship between adjectival scales and verbal aspect; the relationship between meaning and the positions of adjectives and adverbs in nominal and verbal projections; and the fine-grained semantics of different subclasses of adverbs and adverbs.