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Language and Power (Language in Social Life)
23
 
 

Language and Power (Language in Social Life)Language and Power (Language in Social Life)

Substantial changes in social life have taken place during the past decade which have changed the nature of unequal power relations, and therefore the agenda for the critical study of language. In this second edition, Norman Fairclough brings the discussion completely up-to-date with the inclusion of a new chapter covering the 'globalisation' of power relations and the development of the internet in relation to language and power..
 
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A Political History of Tudor and Stuart England: A Sourcebook
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A Political History of Tudor and Stuart England: A SourcebookA Political History of Tudor and Stuart England: A Sourcebook

A Political History of Tudor and Stuart England draws together a fascinating selection of sources to illuminate this turbulent era of English history. From the bloody overthrow of Richard III in 1485, to the creation of a worldwide imperial state under Queen Anne, these sources illustrate England's difficult transition from the medieval to the modern.

 
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Companion to Gothic Fiction
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Companion to Gothic FictionCompanion to Gothic Fiction

Fourteen world-class experts on the Gothic provide thorough accounts of this haunting-to-horrifying genre from the 1760s to the end of the twentieth century.
 
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British Identities, Heroic Nationalisms, And The Gothic Novel, 1764-1824
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British Identities, Heroic Nationalisms, And The Gothic Novel, 1764-1824British Identities, Heroic Nationalisms, And The Gothic Novel, 1764-1824

British Identities, Heroic Nationalisms, and the Gothic Novel, 1764-1824 considers three interlocking developments of this period:
 
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Hollywood Heroines: Women in Film Noir and the Female Gothic Film
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Hollywood Heroines: Women in Film Noir and the Female Gothic FilmHollywood Heroines: Women in Film Noir and the Female Gothic Film

The endangered and dangerous female figures of Rebecca, of Jagged Edge and What Lies Beneath have a deserved and enduring fascination. Helen Hanson re-examines these gothic heroines of Hollywood and their meanings, in two of Hollywood's key generic cycles, film noir and the female gothic film. Starting at the beginning, with the origin of these cycles and the ways in which they represented women in the American film industry and culture of the 1940s, she traces their revival in neo-noir and neo-gothic films from the 1980s to the present.
 
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