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The Art Of Changing The Brain - Enriching The Practice Of Teaching By Exploring The Biology Of Learning
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The Art Of Changing The Brain - Enriching The Practice Of Teaching By Exploring The Biology Of LearningThe Art Of Changing The Brain - Enriching The Practice Of Teaching By Exploring The Biology Of Learning

Neuroscience tells us that the products of the mind -- thought, emotions, artistic creation -- are the result of the interactions of the biological brain with our senses and the physical world: in short, that thinking and learning are the products of a biological process. This realisation, that learning actually alters the brain by changing the number and strength of synapses, offers a powerful foundation for rethinking teaching practice and one's philosophy of teaching.
 
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Road Dogs
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Road DogsRoad Dogs

Elmore Leonard - Road Dogs

'Road Dogs' unites three familiar characters from Leonard's earlier novels - Jack Foley, Cuando Rey, wealthy conman and Cuban refugee ('LaBrava'), and Dawn Navarro, a beautiful psychic from 'Riding the Rap'. 'Road Dogs' is the story of gentleman/banker-robber Jack Foley, who got caught by a die-pack on one easy robbery. He's back in prison doing a thirty-year sentence after a week-long escape.

 
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Gold Coast
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Gold CoastGold Coast

Elmore Leonard - Gold Coast

Karen Di Cilia married a man in the Mafia. When he died he left her $4,000,000 - and instructions that she never touch another man again. He had the connections to ensure that his will was carried out. His friends hired a hustler to guard her. However the hustler had other ideas.

 
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The Philosophy of Film Noir
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The Philosophy of Film NoirThe Philosophy of Film Noir

When Nietzsche declared "God is dead," little did he know he was helping to launch a new cinematic genre characterized by shady characters and seamy plotlines involving fallen women, murder and betrayal. But noir is inevitably more than just stylish filmmaking or the marriage between American hard-boiled fiction and German expressionism, according to the philosophers, film historians and English professors who contributed to this book: film noir "challenged widespread assumptions about material and moral progress" and represents a "systematic deconstruction of the American Dream."
 
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Visionary Film - The American Avant-Garde 1943 - 2000
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Visionary Film - The American Avant-Garde 1943 - 2000Visionary Film - The American Avant-Garde 1943 - 2000

Critics hailed previous editions of Visionary Film as the most complete work written on the exciting, often puzzling, and always controversial genre of American avant-garde film. This book has remained the standard text on American avant-garde film since the publication of its first edition in 1974. Now P. Adams Sitney has once again revised and updated this classic work, restoring a chapter on the films of Gregory J. Markopoulos and bringing his discussion of the principal genres and major filmmakers up to the year 2000.
 
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