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Philosophy of Language A-Z
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Philosophy of Language A-Z

The first glossary to cover the theories, debates, concepts, problems and philosophers within the philosophy of language in one volume. This essential reference tool, written in a language accessible to beginners and non-specialists alike, provides concise and precise entries on all the relevant key terms and issues. It includes extensive cross-references which indicate the contexts of each entry, and can be used to deepen understanding of any given topic. Philosophy of Language A-Z offers clear and thorough guidance on how to negotiate the complexities of the philosophy of language.

 


Edited by: ninasimeo - 9 January 2011
Reason: reuploaded

 
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Philosophy of Language: A Contemporary Introduction
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Philosophy of Language: A Contemporary Introduction

Philosophy of Language introduces the non-specialist to the main issues and theories in twentieth-century philosophy of language, focusing specifically on linguistic phenomena. Part I explores several theories of how proper names, descriptions, and other terms bear a referential relation to non-linguistic objects. Part II surveys competing theories of linguistic meaning and compares their various advantages and liabilities. Part III introduces the basic concepts of linguistic pragmatics, includes a detailed discussion of the problems of indirect force, and Part IV examines linguistic theories of metaphor.

 

 
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Logic in Reality
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Logic in RealityThe work is the presentation of a logical theory – Logic in Reality (LIR) - and of applications of that theory in natural science and philosophy, including cognitive science and the philosophy of mind. The thesis is that the fundamental physics of the world defines a non-classical logical structure for the interactive aspects of complex phenomena. LIR can thus be construed as a meta-theory that allows an alternative formal treatment of processes and systems.
 
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Jazz: The Basics
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Jazz: The Basics
Key figures from each era including: Louis Armstrong, Benny Goodman, Charlie Parker, Miles Davis, and Wynton Marsalis are highlighted along with classic works. The book concludes with a list of the 100 essential recordings to own, along with a timeline and glossary. Jazz: The Basics serves as an excellent introduction to the players, the music, and the styles that make jazz 'America's classical music.'Jazz: The Basics gives a brief introduction to a century of jazz, ideal for students and interested listeners who want to learn more about this important musical style. The heart of the book traces jazz's growth from its folk origins through early recordings and New Orleans stars; the big-band and swing era; bebop; cool jazz and third stream; avant-garde; jazz-rock; and the neo-conservative movement of the 1980s and 1990s.
 
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Perspectives in the Philosophy of Language
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Perspectives in the Philosophy of Language Table of Contents:

I. Syntax and Semantics (The System Perspective)

    Noam Chomsky, "Knowledge of Language: Its Nature, Origin and Use"
    Gottlob Frege, "Ueber Sinn und Bedeutung"
    Bertrand Russell, "Descriptions"
    Donald Davidson, "Truth and Meaning"
    Saul Kripke, "Naming and Necessity"
II. Mental States and Linguistic Content (The Knowledge Perspective)
    A. Meanings and Ideas
     H. Paul Grice, "Meaning"
    Jerry A. Fodor, "Propositional Attitudes"
    Daniel C. Dennett, "Three Kinds of Intentional Psychology"
    B. Skeptical Worries
    W.V.O. Quine, "Two Dogmas of Empiricism"
    Ludwig Wittgenstein, from "Philosophical Investigations"
III. Language and Speakers (The Use Perspective)
    A. Speech Acts
    John L. Austin, "Performative Utterances"
    John R. Searle, "What is a Speech Act?"
    B. Speaker’s Meaning and Reference
    H. Paul Grice, "Logic and Conversation"
    Peter F. Strawson, "On Referring"
    Keith Donnellan, "Reference and Definite Descriptions"
    Donald Davidson, "What Metaphors Mean"
 
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