We Are All Weird: The Myth of Mass and The End of Compliance
We Are All Weird is a celebration of choice, of treating different people differently and of embracing the notion that everyone deserves the dignity and respect that comes from being heard. The book calls for end of mass and for the beginning of offering people more choices, more interests and giving them more authority to operate in ways that reflect their own unique values. For generations, marketers, industrialists and politicians have tried to force us into little boxes, complying with their idea of what we should buy, use or want.
In Rosewood, majestic estates sprawl for acres, and Tiffany toggle bracelets dangle from every girl's wrist. But not all that glitters is gold, and the town harbors secrets darker than anyone could imagine—like the truth about what really happened the night Alison DiLaurentis went missing. . . .
Back in middle school, Ali plucked Emily, Hanna, Aria, and Spencer from obscurity and turned them into the beautiful, popular girls everyone wanted to be.
When her father leaves the Church, Margaret Hale is uprooted from her comfortable home in Hampshire to move with her family to the North of England. Initially repulsed by the ugliness of her new surroundings in the industrial town of Milton, Margaret becomes aware of the poverty and suffering of local mill workers and develops a passionate sense of social justice. In "North and South", Gaskell skillfully fused individual feeling with social concern and in Margaret Hale created one of the most original heroines of Victorian literature.
In addition to the title story, in which a nightmare may hold a terrifying premonition, this collection includes "The Haunted Policeman," which features a house numbered thirteen on a street of even numbers; and "Talboys," in which one of Lord Peter's own children is accused of theft. Sayers, like Lord Peter, is at the peak of her powers in her final work.
