Luke Mullen, sixteen year old son of a former, high ranking police officer has disappeared, presumed kidnapped. While no one quite dares to voice the fear that he could also be presumed dead, Detective Inspector Tom Thorne is brought in to beef up the squad dedicated to locating the missing boy. The first thing the team looks for is anyone with a grudge against Luke's father, a man who'd put a lot of tough villains away in his time.
To his friends, his foes and even to himself it looks as though Tom Thorne's career is on the skids. On his last case he had seriously over-stepped the mark, and now gardening leave has been suggested and all he has to tend is a window box. So when it appears someone is targeting London's homeless community it seems pefectly natural for Thorne to take a step nearer to the gutter and go undercover amongst them.
Series of four novels by Lawrence Durrell. The lush and sensuous tetralogy, which consists of Justine (1957), Balthazar (1958), Mountolive (1958), and Clea (1960), is set in Alexandria, Egypt, during the 1940s. Three of the books are written in the first person, Mountolive in the third. The first three volumes describe, from different viewpoints, a series of events in Alexandria before World War II; the fourth carries the story forward into the war years. The events of the narrative are mostly seen through the eyes of one L.G. Darley, who observes the interactions of his lovers, friends, and acquaintances in Alexandria.
Jessica Clarke had been set alight twenty years ago. Her attacker, quickly tracked down and eager to confess, was still in jail, his career as a hitman for North London gangs now well behind him. So who is harassing Carol Chamberlain, the arresting officer in that case, and claiming that he is one who burned the girl? Now retired, Carol turns to DI Tom Thorne for help.
Someone - a woman or somebody pretending to be a woman, is writing to convicted rapists in prison, befriending them and then brutally killing them when they are released. DI Tom Thorne must discover the link between these killings and a murder/suicide that took place twenty-five years before; a tragedy to which the only witnesses were two small children, now adults and nowhere to be found. How can you escape a past that will do a lot more than just catch up with you? And how can Thorne catch a killer, when he doesn't really care about the victims?
