In an England inhabited by Pepys, Evelyn, Dryden, Hobbes and the young Isaac Newton, Charles II is king, and the nation is beginning to relax a little after the tough, joyless years of Cromwell's Protectorate. In RESTORATION, Alex Larman paints a fascinating portrait of a country in the throes of social, political and cultural change following the convulsions of the Interregnum. Exploring every level of English society, from innkeepers and upholsterers to lawyers and courtiers, and examining themes as diverse as marriage, sexuality and religion, he creates a pointilliste and multi-faceted portrait of Restoration England.
The first book length study of the motif of impotency in poetry from early antiquity through to the late Restoration, this book explores the impotency poem as a recognisable form of poetry in the longer tradition of erotic elegy. Hannah Lavery's central claim is that the impotency motif is adopted by poets in recognition of its potential to signify satirically through its use as symbol and allegory.By drawing together analysis of works in the tradition, Lavery shows how the impotency motif is used to engage with anxieties as to what it means to enact 'service' within political and social contexts.
A decade after the Restoration of Charles II, a disturbing group of tragedies, dubbed by modern critics the horror or the blood-and-torture villain tragedies, burst onto the London stage. Ten years later they were gone-absorbed into the partisan frenzy which enveloped the theatre at the height of the Exclusion Crisis. Despite burgeoning interest, until now there has been no full investigation into why these deeply unsettling plays were written when they were and why they so fascinated audiences for the period that they held the stage. The author's contention is that the genre of horror gains its popularity at times of social dislocation.
This rich and varied portrait of drama from 1660 to 1714 provides students with essential information about playwrights, staging and genres in their social and political context. The theater that followed the Restoration of Charles II is revealed in all of its tumult, energy and conflict. Contributors pay attention to major and minor playwrights, the first professional female dramatists, the performance aspects of the drama and the main dramatic genres and themes.
Examining the politics of the French Revolutionary tradition during the nineteenth century Bourbon Restoration and early July Monarchy, Robert Alexander argues that political struggle was not confined to the elite. The Restoration Liberal Opposition developed a reform tradition based on legal organization and persuasion, which would prove far more effective in achieving progressive change than the revolutionary tradition of conspiracy and insurrection. Alexander analyzes relations among the Liberal Opposition, ultra-royalists and the state to support his claims.
