The Nobility and Excellence of Women and the Defects and Vices of Men

A gifted poet, a women's rights activist, and an expert on moral and natural philosophy, Lucrezia Marinella (1571-1653) was known throughout Italy as the leading female intellectual of her age. Born into a family of Venetian physicians, she was encouraged to study, and, fortunately, she did not share the fate of many of her female contemporaries, who were forced to join convents or were pressured to marry early. Marinella enjoyed a long literary career, writing mainly religious, epic, and pastoral poetry, and biographies of famous women in both verse and prose.

Shakespeare and Venice

"Shakespeare and Venice" is the first book length study to describe and chronicle the mythology of Venice that was formulated in the Middle Ages and has persisted in fiction and film to the present day. Graham Holderness focuses specifically on how that mythology was employed by Shakespeare to explore themes of conversion, change, and metamorphosis. Identifying and outlining the materials having to do with Venice which might have been available to Shakespeare, Holderness provides a full historical account of past and present Venetian myths and of the city's relationship with both Judaism and Islam.

Spirits Unseen~The Representation of Subtle Bodies in Early Modern European Culture

Spirits – airy, volatile ‘subtle bodies – occupied a central place in early modern European culture. At the edge of the visible and perceptible, spiritus could signify a broad variety of subtle substances, both natural and divine: the vapours moving inside the body, the elements of air and fire, angels, demons and spectres, the Holy Spirit and the human soul. Spirits functioned as intermediaries between two opposite worlds with continually shifting borders.

Witchcraft, Gender and Society in Early Modern Germany

Recent witchcraft historiography, particularly where it concerns the gender of the witch-suspect, has been dominated by theories of social conflict in which ordinary people colluded in the persecution of the witch sect. The reconstruction of the Eichst?tt persecutions (1590-1631) in this book shows that many witchcraft episodes were imposed exclusively ‘from above’ as part of a programme of Catholic reform. The high proportion of female suspects in these cases resulted from the persecutors’ demonology and their interrogation procedures. The confession narratives forced from the suspects reveal a socially integrated, if gendered, community rather than one in crisis.

Animals as Disguised Symbols in Renaissance Art

The relationship between medieval animal symbolism and the iconography of animals in the Renaissance has scarcely been studied. Filling a gap in this significant field of Renaissance culture, in general, and its art, in particular, this book demonstrates the continuity and tenacity of medieval animal interpretations and symbolism, disguised under the veil of genre, religious or mythological narrative and scientific naturalism.