On a September day in 1821, in the church of a Yorkshire village, a man and six children stood around a grave. They were burying a woman: the man's wife, the children's mother. The children were all very young, and within a few years the two oldest were dead, too. Close to the wild beauty of the Yorkshire moors, the father brought up his young family. Who had heard of the Brontës of Haworth then? Branwell died young, but his sisters became famous writers. But they did not live to grow old or to enjoy their fame. Only their father was left, alone with his memories.
Why do the ancient Greeks occupy such a prominent place in conceptions of Western culture and identity? What about them made generations of influential scholars and writers view Hellenic culture as the uniquely essential starting point for understanding the art and reflection that define the West? Does this view tell the whole story?
Sister Love and Other Crime Stories - Bookworms - Stage 1
Some sisters are good friends, some are not. Sometimes there is more hate in a family than there is love. Karin is beautiful and has lots of men friends, but she can be very unkind to her sister Marcia. Perhaps when they were small, there was love between them, but that was a long time ago. They say that everybody has one crime in them. Perhaps they only take an umbrella that does not belong to them. Perhaps they steal from a shop, perhaps they get angry and hit someone, perhaps they kill . . .
The Children of the New Forest - Oxford Bookworms - Stage 2
England in 1647: King Charles is in prison, and Cromwell's men are fighting the King's men. These are dangerous times for everybody. The four Beverley children have no parents; their mother is dead and their father died while fighting for the King. Now Cromwell's soldiers have come to burn the house - with the children in it. The four of them escape into the New Forest - but how will they live? What will they eat? And will Cromwell's soldiers find them?
On a stormy winter night, a stranger knocks at the door of a shepherd's cottage. He is cold and hungry, and wants to get out of the rain. He is welcomed inside, but he does not give his name or his business. Who is he, and where has he come from? And he is only the first visitor to call at the cottage that night . . . In these three short stories, Thomas Hardy gives us pictures of the lives of shepherds and hangmen, dukes and teachers. But rich or poor, young or old, they all have the same feelings of fear, hope, love, jealousy . .