Adult/High School–Levitin's fascination with the mystery of music and
the study of why it affects us so deeply is at the heart of this book.
In a real sense, the author is a rock 'n' roll doctor, and in that
guise dissects our relationship with music. He points out that bone
flutes are among the oldest of human artifacts to have been found and
takes readers on a tour of our bio-history.
In this textbook for those
who don't like textbooks, he discusses neurobiology, neuropsychology,
cognitive psychology, empirical philosophy, Gestalt psychology, memory
theory, categorization theory, neurochemistry, and exemplar theory in
relation to music theory and history in a manner that will draw in
teens. A wonderful introduction to the science of one of the arts that
make us human.
Added by: Maria | Karma: 3098.81 | Multimedia » Audio | 15 July 2008
3
Neville Watchurst's 'The Angel Of Rome'
Directed by Sue Wilson
Broadcast December 4, 1992
Coded from tape at 128/44.1
The heart of the Catholic Church in the Vatican City used to be an all
male preserve. Rich enough to afford custom music from the great
composers, the music often required sopranos; an unnatural pitch for
adult male voices. Boys were too troublesome, & their voices broke.
The Sistine Chapel Choir resolved this matter by employing males who had been castrated before their voices broke.
As far as we know, Alessandro Moreschi, was the last of these. Born in
1858. He died in 1924. This is his story. It is both bitter &
joyous.
The play includes recordings Alessandro made in 1902 & 1904.
More than half a century after the birth of rock, the musical genre
that began as a rebellious underground phenomenon is now acknowledged
as America's-and the world's-most popular and influential musical
medium, as well as the soundtrack to several generations' worth of
history. From Ray Charles to Joni Mitchell to Nirvana, rock music has
been an undeniable force in both reflecting and shaping our cultural
landscape.
Icons of Rock offers a vivid overview of rock's pervasive
role in contemporary society by profiling the lives and work of the
music's most legendary artists. Most rock histories, by virtue of their
all-encompassing scope, are unable to cover the lives and work of
individual artists in depth, or to place those artists in a broader
context.
This two-volume set, by contrast, provides extensive
biographies of the 24 greatest rock n' rollers of all time, examining
their influences, innovations, and impact in a critical and historical
perspective. Entries inside this unique reference explore the issues,
trends, and movements that defined the cultural and social climate of
the artists' music. Sidebars spotlight the many iconic elements
associated with rock, such as rock festivals, protest songs, and the
British Invasion. Providing a wealth of information on the icons,
culture, and mythology of America's most beloved music, this
biographical encyclopedia will serve as an invaluable resource for
students and music fans alike.
Added by: Maria | Karma: 3098.81 | Non-Fiction | 28 June 2008
30
Time magazine made Bob Marley's impact strikingly clear when it named
Exodus the most important album of the 20th century. Throughout his
life and perhaps even more since his death in 1981 at the age of 36,
Marley's music has demonstrated a unique ability to combine with almost
any cultural setting, no matter how different the elements might at
first appear. Through his adaptable, yet enduring musical messages, he
represents an especially articulate type of singer-songwriter. Marley
released a large quantity of introspective, autobiographical material
at the height of his success and it is thus only in a work such as
this--in which the artist is investigated through his recorded
output--that one can understand who this great man truly was and what
he hoped to achieve through his life and music. The Words and Music of
Bob Marley investigates Marley's creative output chronologically and
provides complementary biographical information where it is relevant
and helpful. Themes discussed throughout the book include protest,
revolution, love, hate, biblical concepts, and Rastafari culture.
These days "rock music" courses are ubiquitous at most universities and colleges, but until recently instructors seeking an anthology of readings on the History of Rock have looked in vain. The Rock History Reader aims to fill that gap. Through a variety of primary source materials, the Rock History Reader introduces students to the conflicts, critical tensions and inspired creativity that have defined rock music as a social practice throughout its five decade history. Featuring nearly sixty chapters, the Reader ranges from the vivid autobiographical accounts of such rock icons as Chuck Berry, Ronnie Spector and David Lee Roth to the writings of noted rock critics like Lester Bangs and Simon Reynolds. Beyond this, readers will find selections from the pens of media critics, musicologists, fanzine writers, legal experts, sociologists and prominent political figures like Tipper Gore.
Many entries also deal specifically with distinctive styles such as Motown, punk, disco, grunge, rap and indie pop. With numerousreadings that delve into the often explosive issues surrounding censorship, copyright, race relations, feminism, youth subcultures and the meaning of musical value, the Rock History Reader will appeal to scholars and students from a variety of disciplines.