Recent Western thought has consistently emphasized the individualistic strand in our understanding of persons at the expense of the social strand. Thus, it is generally thought that persons are self-determining and autonomous, where these are understood to be capacities we exercise most fully on our own, apart from others, whose influence on us tends to undermine that autonomy. Love, Friendship, and the Self argues that we must reject a strongly individualistic conception of persons if we are to make sense of significant interpersonal relationships and the importance they can have in our lives.
Managing Thought: Think Differently. Think Powerfully. Achieve New Levels of Success
“Managing Thought is to this century what How to Win Friends and Influence People and 7 Habits of Highly Effective People were to the last century.”—Barbara G. Stanbridge, change management expert and former president of the National Association of Women Business Owners “A must-read.” —Howard Putnam, former CEO of Southwest Airlines and author of The Winds of Turbulence
Added by: gothicca | Karma: 0 | Black Hole | 13 September 2010
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New Interchange Intro Student's Book
New Interchange Intro is the introductory level of the New Interchange series. Intro is designed for beginning students needing a throrough, slow-paced presentation of basic functions, grammar structures, and vocabulary. In the new edition, the transition from Intro to Level 1 has been facilitated by carefully thought-out revisions to the grammatical, topical, and functional syllabus of both levels.
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The Early History of Greed, The Sin of Avarice in Early Medieval Thought and Literature
In this full-length study of the early history of greed Richard Newhauser challenges the traditional view that avarice only became a dominant sin with the rise of a money economy.
The Western film is inextricably tied to American culture: untamed landscapes, fiercely independent characters, and an unwavering distinction between good and evil. Yet Westerns began in the early twentieth century as far more fluid works of comedy, adventure, and historical explorations of the frontier landscape. Nanna Verhoeff examines here the earliest films made in the Western genre and proposes the thought-provoking argument that these little-studied films demand new ways of considering Westerns and the history of cinema.
