Ben-Hur: A Tale of the Christ is a novel by Lew Wallace published on November 12, 1880.
Ben-Hur could be said to be the first American blockbuster. When it was published in 1880, it sold over two million copies and was translated into numerous languages. It combines all the best elements of popular classic, epic, and action stories against a background of authoritative historical detail.
Added by: iloveenglishtips | Karma: 3584.11 | Fiction literature | 23 August 2012
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This book ushers you into many worlds, all of them our world. It is full of voices, sounds, and people. Stay with them, and they will stay with you. The stories here represent eight tenths of a year. A year that kept slipping, yet also kept giving.Their writers gave them freely, and we do, too.Like all stories, they work in a thousand ways. Some lull, some lure. Some pinch, some stretch.Some are like a thicket, some a formal garden; others seem like valleys slick with rain. All replenish and reward.
For & Against 1: Expressing Opinions and Exchanging Ideas is designed to help Korean students gain confidence in expressing opinions. Each of the fifteen units presents both sides of an interesting and controversial issue. The aim of the book is to encourage students to consider their position and develop skills to discuss each issue. It is hoped that students will continue to practice and apply these skills to their own discussions.
For & Against 1: Expressing Opinions and Exchanging Ideas is designed to help Korean students gain confidence in expressing opinions. Each of the fifteen units presents both sides of an interesting and controversial issue. The aim of the book is to encourage students to consider their position and develop skills to discuss each issue. It is hoped that students will continue to practice and apply these skills to their own discussions.
Experimental Nations Or, the Invention of the Maghreb
Jean-Paul Sartre's famous question, "For whom do we write?" strikes close to home for francophone writers from the Maghreb. Do these writers address their compatriots, many of whom are illiterate or read no French, or a broader audience beyond Algeria, Morocco, and Tunisia? In Experimental Nations, Réda Bensmaïa argues powerfully against the tendency to view their works not as literary creations worth considering for their innovative style or language but as "ethnographic" texts and to appraise them only against the "French literary canon."