Drama, Theatre, and Identity in the American New Republic
Added by: greywolfx25 | Karma: 40.58 | Non-Fiction, Literature Studies | 26 August 2010
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Drama, Theatre, and Identity in the American New Republic
Drama, Theatre, and Identity in the American New Republic investigates the way in which theatre both reflects and shapes the question of identity in post-revolutionary American culture. Richards examines a variety of phenomena connected to the stage, including closet Revolutionary political plays, British drama on American boards, American-authored stage plays, and poetry and fiction by early Republican writers
Added by: greywolfx25 | Karma: 40.58 | Non-Fiction, Literature Studies | 26 August 2010
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Early American Women Critics provides a new history and analysis of the commentaries, written and spoken, circulated by early American women between the First and Second Great Religious Awakenings (1730s-1840s). Cima introduces readers to where, how and why women critics launched their commentaries on race, religion, gender and nation.
A Companion to Greek Tragedy provides readers with a fundamental grounding in Greek tragedy, and also introduces them to the various methodologies and the lively critical dialogue that characterize the study of Greek tragedy today.
This volume is the product of a group of scholars doing some of the most exciting work on Greek tragedy. They contribute essays on such subjects as the civic context of Athenian theater, Dionysus, the composition of the audience, pictorial representations of tragedy, the sociology of tragedy (gender, class), tragic language, and the construction of the plot, concluding with chapters on modern adaptations and performances and recent critical approaches. The essays are lively and the treatments thorough without suppressing individual styles and views...
This volume offers an account of English literary culture in one of its most volatile moments, when literature was enmeshed with the extremes of social, political and sexual experience. Newly-commissioned essays make use of current critical perspectives in order to offer new insight into the literature of Restoration and early eighteenth-century England in all its variety, from vitriolic satire to heroic verse. The volume's chronologies and select bibliographies will guide the reader through texts and events, while the fourteen essays commissioned for this Companion will allow us to read the period anew.