Deceit, Desire, and the Novel: Self and Other in Literary Structure This study extends beyond the scope of literature into the psychology of much of our contemporary scene, including fashion, advertising, and propaganda techniques. In considering such aspects, the author goes beyond the domain of pure aesthetics and offers an interpretation of some basic cultural problems of our time.

A cultural snapshot of everyday life in the world of Jane Austen
Jane Austen, arguably the greatest novelist of the English language, wrote brilliantly about the gentry and aristocracy of two centuries ago in her accounts of young women looking for love. Jane Austen’s England explores the customs and culture of the real England of her everyday existence depicted in her classic novels as well as those by Byron, Keats, and Shelley.

This book considers the ways that family relationships (parental, marital, sibling or other) mimic, and stand in for, political ones in the Early Modern period, and vice versa. Bringing together leading international scholars in literary-historical fields to produce scholarship informed by the perspective of contemporary politics, the volume examines the ways in which the family defines itself in transformative moments of potential crisis – birth and death, maturation, marriage – moments when the family is negotiating its position within and through broader cultural frameworks, and when, as a result, family ‘politics’ become most apparent.

Daniel Karlin has selected poetry written and published during the reign of Queen Victoria, (1837-1901). Giving pride of place to Tennyson, Robert Browning, and Christina Rossetti, the volume offers generous selections from other major poets such as Arnold, Emily Bronte, Hardy and Hopkins, and makes room for several poem-sequences in their entirety. It is wonderful, too, in its discovery and inclusion of eccentric, dissenting, un-Victorian voices, poets who squarely refuse to 'represent' their period. It also includes the work of Elizabeth Barrett Browning, George Meredith, James Thomson and Augusta Webster.

This ambitious and revelatory collection turns the traditional chronology of anthologies on its head, listing poems according to their first individual appearance in the language rather than by poet.
Review
'an exceptionally rich collection. Even the best-read will find poets in it who are new to them...' - John Carey, Sunday Times '... assiduously researched, deftly managed and exhilaratingly ramified, [this] is a landmark anthology, perhaps the last great one-volume work of its kind' - TLS 'Keegan arranges the poems, rather than the authors, in chronological order; a radical manoeuvre with a startlingly vivifying effect' - John Lanchester, Daily Telegraph