Attention authors! Are you sick of being stuck in a creative rut? The 7 Points of Write is the cure for what ails you. In The 7 Points of Write, you'll discover a totally unorthodox approach to unlocking your creative potential, which will allow you to take your ideas from concept to paper and hook your readers from page one! Learn to annihilate writer's block, and discover true secrets to tapping into your creative writing stream and a world of unlimited ideas for every genre of fiction possible. This is NOT another "writing guideline" book. You will not learn when/where to place commas or how to structure sentences.
Lucid, entertaining and full of insight, How To Read A Poem is designed to banish the intimidation that too often attends the subject of poetry, and in doing so to bring it into the personal possession of the students and the general reader.
This text examines the complex and controversial relation that has informed literary theory since ancient times: the difference between philosophy and poetry. The book explores three specific areas: the practice of writing with respect to orality; the interpretive modes of poetic and philosophical discourse as self-narration and historical understanding; how rhythm marks the differential spaces in poetry and philosophy.
In this book Craig, Kinney and their collaborators confront the main unsolved mysteries in Shakespeare's canon through computer analysis of Shakespeare's and other writers' styles. In some cases their analysis confirms the current scholarly consensus, bringing long-standing questions to something like a final resolution. In other areas the book provides more surprising conclusions: that Shakespeare wrote the 1602 additions to The Spanish Tragedy, for example, and that Marlowe along with Shakespeare was a collaborator on Henry VI, Parts 1 and 2.
Of the many charges laid against contemporary literary scholars, one of the most common—and perhaps the most wounding—is that they simply don't love books. And while the most obvious response is that, no, actually the profession of literary studies does acknowledge and address personal attachments to literature, that answer risks obscuring a more fundamental question: Why should they?
