Jack London has been a best-selling author for more than one hundred years. In his short life (1876–1916) he wrote twenty-five novels and dozens of short stories, plays, and essays. Today he is recognized as a forerunner of such literary giants as Ernest Hemingway, John Steinbeck, and Jack Kerouac. Author of a number of well-known and well-loved stories in our literature (including White Fang, The Call of the Wild, and The Sea Wolf), London also worked as a day laborer, Alaskan gold rusher, and seaman. He was also an adventurer, journalist, celebrity, polemicist, and drunk.
Brimming with the fascinating eccentricities of a complex and confusing movement whose influences continue to resonate deeply, 30 Great Myths About the Romantics adds great clarity to what we know – or think we know – about one of the most important periods in literary history.
Ulrich Weisstein’s collection of 21 essays offers a comparative study of Expressionism as a Modernist movement whose dynamic core lay in Germany and Austria-Hungary, but which transformed artistic practices in other European countries. The focus, Weisstein argues, “must be strictly and sharply aimed at a specific body of works and opinions—a relatively dense core surrounded by a less clearly defined fringe zone—indigenous to the German speaking countries.”
Why do some stories work and others don’t? The answer is structure. In this IPPY and NIEA-Award winning guide from the author of the bestselling Outlining Your Novel, you will learn the universal underpinnings that guarantee powerful plot and character arcs. An understanding of proper story and scene structure will show you how to perfectly time your story’s major events and will provide you with an unerring standard against which to evaluate your novel’s pacing and progression.
Alltoo often, the history of poetry criticism in the 20th Century is told as atale of two sides. While ‘Lit crit' pored over the author's every line,‘Theory' stood on the shoulder of texts to gaze into the metaphysical mists. Drawingon the key insights of both Lit crit and Theory, On Modern Poetry tries to get beyond the oppositionbetween them, proposing instead a ‘total criticism' that draws on all resourcesavailable.It combines ‘analytic irony' with ‘imaginative empathy' in orderto generate fresh insights.
