Writers Workshop of Horror focuses solely on honing the craft of writing. It includes solid advice, from professionals of every publishing level, on how to improve one's writing skills. The volume edited by Michael Knost includes contributions by a dream-team of nationally known authors and storytellers, many Bram Stoker Award winners.
This commentary discusses Aeschylus' play Agamemnon (458 BC), which is one of the most popular of the surviving ancient Greek tragedies, and is the first to be published in English since 1958. It is designed particularly to help students who are tackling Aeschylus in the original Greek for the first time, and includes a reprint of D. L. Page's Oxford Classical Text of the play.
This book investigates how people learned to read in the Middle Ages. It uses glosses--medieval teachers' notes--on classical Latin texts to show how these complex works were used in a very basic and literal way in the classroom, and argues that this has profound implications for our understanding of medieval literacy and hermeneutics.
his book offers new insights into the rich and varied Dutch literature of the Middle Ages. Sixteen essays written by top scholars consider this literature in the context of the social, historical and cultural developments of the period in which it took shape. The collection includes studies of the most representative authors, genres and works of the time
Little attention has been paid to the political and ideological significance of the exemplum, a brief narrative form used to illustrate a moral. Through a study of four major works in the Chaucerian tradition (The Canterbury Tales, John Gower's Confessio Amantis, Thomas Hoccleve's Regement of Princes, and Lydgate's Fall of Princes), Scanlon redefines the exemplum as a 'narrative enactment of cultural authority'.
