Jane Austen and Animals

The first full-length study of animals in Jane Austen, Barbara K. Seeber's book situates the author's work within the serious debates about human-animal relations that began in the eighteenth century and continued into Austen's lifetime. Seeber shows that Austen's writings consistently align the objectification of nature with that of women and that Austen associates the hunting, shooting, racing, and consuming of animals with the domination of women.

A beguiling exploration of the joys of reading across boundaries, inspired by the author’s year-long journey through a book from every country.
Ann Morgan writes in the opening of this delightful book, "I glanced up at my bookshelves, the proud record of more than twenty years of reading, and found a host of English and North American greats starting down at me…I had barely touched a work by a foreign language author in years…The awful truth dawned. I was a literary xenophobe."

Proposing a new theory of fiction, this work reviews the confusion about perceived realism, metaphor, virtual worlds and the seemingly obvious distinction between what is true and what is false. The rise of new media, new technology, and creative products and services requires a new examination of what ‘real’ friends are, to what extent scientific novelty is ‘true’, and whether online content is merely ‘figurative’. In this transdisciplinary theory the author evaluates cognitive theories, philosophical discussion, and topics in biology and physics, and places these in the frameworks of computer science and literary theory.

Amid radical transformation and rapid mutation in the nature, transmission, and deployment of information and communications, Around the Book offers a status report and theoretically nuanced update on the traditions and medium of the book. What, it asks, are the book's current prospects?

This book opens a new line of inquiry into the Old English poem, specifically trauma theory, which attempts to map the psychological typography of an author and his or her culture, that is, when the text appears to be wrought of traumatic experience.  Indicators of a "trauma text" are narrative techniques often associated with postmodernism -- expressly, intertextuality, repetition, a dispersed or fragmented voice, and a search for powerful language.  The anonymous Beowulf poet made extensive use of all four narrative techniques, suggesting he and his culture were suffering from traumatic stress.