The American guy is not to be confused with a husband, father, hunk, or intellectual, says guy expert Dave Barry. Published just in time (the American guy faces extinction due to feminism, the men's movement, and stricter sanitation laws), this guide gives women helpful advice for understanding Him (or It) and offers men useful tips on remembering the names of their children and other dilemmas of life. As to the truth of his conclusions, Dave says, "Every statement of fact you will read in this book is either based on actual laboratory tests, or else I made it up. But you can trust me. I'm a guy."
In this ingeniously funny collection of humorous riffs, those who thought Steve Martin's gifts were confined to the screen will discover what readers of The New Yorker already know: that Martin is a master of the written word. Hilariously funny and intelligent in their skewering of the topic at hand, these pieces, some of which first appeared in The New Yorker, feature Martin at his finest. With a playwright's ear for dialogue, a sense of irony only Martin could muster, and a first-class comic ability to perfectly time the punch line, Pure Drivel will have listeners crying with laughter, and marveling at the fact that in addition to all of his many talents, Steve Martin is also a superb writer.
"Repeat after me. I promise to be different! I promise to be unique! I promise not to repeat things other people tell me to repeat!" This is Steve Martin in action. He says something somewhat pseudo-intellectual followed by something silly, observation of the moment in tow. Throughout the Wild & Crazy Guy compilation, Steve Martin continuously caps on himself for being a comedian. Self-reflective, one of his gimmicks is to put on the super suave act and compliment that by then turning into a complete imbecile. Not only do his jokes fall into this unique-to-him format, but the album itself is set up the same way.
Wigfield: The Can-Do Town That Just May Not Authors: Amy Sedaris, Paul Dinello and Stephen Colbert Narrated by Amy Sedaris, Paul Dinello and Stephen Colbert Russell Hokes was recently fired from his job painting center lines on interstates and is now free to pursue his dream of becoming a writer. Instead of drawing long white lines on asphalt, he'll draw much shorter ones on paper, with loops and curls. Having told his clueless publisher he wants to write about the quiet dignity of the American Small Town, Hokes hits the road for Wigfield. Wigfield is a town in danger. A bucolic hideaway built directly in front of a massive dam, it will soon be flooded when the dam is demolished by the state government to restore the salmon run. The only hope for the neither quiet nor dignified town is a self-righteous, self-aggrandizing, self-involved so-called "journalist": Hokes.
