A Sense of Regard, says Laura McCullough, “is an effort to collect the voices of living poets and scholars in thoughtful and considered exfoliation of the current confluence of poetry and race, the difficulties, the nuances, the unexamined, the feared, the questions, and the quarrels across aesthetic camps and biases.”

Art in Reproduction: Nineteenth-Century Prints after Lawrence Alma-Tadema, Jozef Israels and Ary Scheffer

Works of art have always been reproduced: not necessarily cleverly, not necessarily cleanly, and often with an eye toward profit. Those concerned with this important aspect of the art world have often paid attention to how these reproductions have helped to form the reputations of artists and their works, while the reproductions themselves remain relatively unexamined.