Katie Ellison is not a liar. It's just that telling the truth is so ... tricky. She knows she shouldn't be making out with a drama club hottie behind her football-player boyfriend's back. She should probably admit that she can't stand eating quahogs (clams), especially since she's running for Quahog Princess in her hometown's annual Quahog Festival.
Originally published in 1962 and made in 1967 into an acclaimed documentary film starring James Mason, this book has been a must-have for anyone with an interest in London ever since
The American dream has been part of world mythology for generations now. As the land of opportunity, America still entices people from around the world to taste it for themselves. Marrying an American has been one of the most popular means since single Irishmen or Italians looked for brides from the old country in the nineteenth century. Since the end of the Cold War, East Europeans are one of the latest waves to give it a try. Some come here, marry, and live happily ever after.
This book examines several Israeli fictional and non-fictional films, and how their portrayal of landscape and territory provides a unique perspective on Jewish and Israeli identity. The book demonstrates how space in film is not only a 'container' for events in the plot, but an event in and of itself, since space and place are significant elements in the on-going negotiations regarding Jewish and Israeli identity.
Jonathan Swift's angers were all too real, though Swift was temperamentally equivocal about their display. Even in his most brilliant satire, A Tale of a Tub, the aggressive vitality of the narrative is designed, for all the intensity of its sting, never to lose its cool. Yet Swift's angers are partly self-implicating, since his own temperament was close to the things he attacked, and behind his angers are deep self-divisions.
