Added by: Kahena | Karma: 11524.33 | Fiction literature | 10 November 2010
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Savage Day
The British Army are fighting a bloody undercover battle against an enemy close to home. Which is why they seem prepared to forget the ex-Major Simon Vaughan's past, spring him from prison and offer him a free hand - for in Northern Ireland it's time for the dog of war to have his savage day.
Guess Who's Coming to Dinner? From the tiny, winged Ellylon to treetop-tall Giants, this book brings 24 nonhuman fantasy races to GURPS. This book includes new, expanded versions of such fantasy "standards" as Elves, Dwarves, Orcs and Halflings, as well as exotic creatures such as savage Minotaurs, four-armed Insect Warriors and magical, mischievious Leprechauns.
OCTOBER 1789, NEW SOUTH WALES. Into Sydney, capital of Britain's infant colony, sails the frigate Tempest. She is one of His Majesty's ships employed in policing the new southern trade routes. Her captain is Richard Bolitho, who hopes to be ordered home to England.Instead he is despatched on a mission to the islands of the Great South Sea, where he must face hazards of fickle winds, pirates and savage islanders. But he is menaced by deeper fears; the men of the Bounty have mutinied in these same waters; and from distant Europe comes news of a revolution in France...
John Pellam had been in the trenches of filmmaking, with a promising Hollywood career - until tragedy sidetracked him. Now he's a location scout, travelling the country in search of shooting sites for films. When he rides down Main Street, locals usually clamour for their chance at fifteen minutes of fame. But in a small town in upstate New York, Pellam experiences a very different reception. His illusionary world is shattered by a savage murder, and Pellam is suddenly centre stage in an unfolding drama of violence, lust and conspiracy in this less-than-picture-perfect locale.
Engraving the Savage: The New World and Techniques of Civilization
In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its “savage other.” Going beyond the notion of the “savage” as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples.
