Twelve-year-old Crispin has lived on the streets since he was nine — with only his wits and his daring to sustain him, and only his silent dog, Harley, to call his friend. He is always on the move, never lingering in any one place long enough to risk being discovered. Still, there are certain places he returns to. In the midst of the tumultuous city, they are havens of solitude: like the hushed environs of St. Mary Salome Cemetery, a place where Crispin can feel at peace — safe, at least for a while, from the fearsome memories that plague him . . .
English in the real world is constantly evolving, and learners need to move with it. But sometimes the English you can learn from your coursebook just isn’t enough for real life. Being able to understand English as it is really spoken will give you the confidence to succeed in any English-speaking environment. Each of these areas includes analysis of high-level, natural recordings between one, two and three people. Some conversations took place face-to-face while others were over the phone. All are 100% unscripted and unedited and do not use actors.
Offering a unique perspective on the origins of American fiction, Cathy N. Davidson focuses not only on the early novels themselves but also on the people who produced, sold, and read them. She demonstrates how, in the aftermath of the American Revolution, the novel found a special place among some of the least privileged citizens of the new republic.
When first published in 1980, Dialectology broke new ground by giving an integrated account of the social and regional aspects of dialectology. In this updated edition, the authors offer new sections on dialectometry and mapping variability, as well as updates of recent developments. The book examines dialectology in its widest sense, as the study of the way language, dialect and accent vary from place to place, social group to social group and time to time. As a comprehensive account of all aspects of dialectology this new edition makes an ideal introduction to the subject.
Tom Lockwood's study is the first examination of Jonson's place in the texts and culture of the Romantic age. Part one of the book explores theatrical, critical, and editorial responses to Jonson, including his place in the post-Garrick theatre, critical estimations of his life and work, and the politically-charged making and reception of William Gifford's 1816 edition of Jonson's Works.
