Using Euripides' play Helen as the main point of reference, C. W. Marshall's detailed study expands our understanding of Athenian tragedy and provides new interpretations of how Euripides created meaning in performance. Marshall focuses on dramatic structure to show how assumptions held by the ancient audience shaped meaning in Helen and to demonstrate how Euripides' play draws extensively on the satyr play Proteus, which was part of Aeschylus' Oresteia.

In this book, Michela Ippolito proposes a compositional semantics for subjunctive (or would) conditionals in English that accounts for their felicity conditions and the constraints on the satisfaction of their presuppositions by capitalizing on the occurrence of past tense morphology in both antecedent and consequent clauses. Very little of the extensive literature on subjunctive conditionals tries to account for the meaning of these sentences compositionally or to relate this meaning to their linguistic form; this book fills that gap, connecting the different lines of research on conditionals.

The Risk of Reading is a defense of the idea that deep and close readings of literature can help us to understand ourselves and the world around us. It explores some of the meaning and implications of modern life through the deep reading of significant books. Waxler argues that we need "fiction" to give our so-called "real life" meaning and that reading narrative fiction remains crucial to the making of a humane and democratic society.

What is the relationship between the structure of existential sentences and their meaning? How do hearers interpret existential sentences using pragmatic assumptions? This study attempts to account for the relationship between the structure of existential sentences (ES) and their meaning.

Extending his distinctive analysis of Homeric epic to the Iliad, Bruce Louden, author of The "Odyssey": Structure, Narration, and Meaning, again presents new approaches to understanding the themes and story of the poem. In this thought-provoking study, he demonstrates how repeated narrative motifs argue for an expanded understanding of the structure of epic poetry. First identifying the "subgenres" of myth within the poem, he then reads these against related mythologies of the Near East, developing a context in which the poem can be more accurately interpreted.