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Until recently, popular biographers and most scholars viewed Alexander the Great as a genius with a plan, a romantic figure pursuing his vision of a united world. His dream was at times characterized as a benevolent interest in the brotherhood of man, sometimes as a brute interest in the exercise of power. Green, a Cambridge-trained classicist who is also a novelist, portrays Alexander as both a complex personality and a single-minded general, a man capable of such diverse expediencies as patricide or the massacre of civilians.
The questions that surround death-Is death a harm to the person who dies? Should we be afraid of death? Can the dead be harmed? Can they be wronged?-have been of widespread interest since Classical times. This interest is currently enjoying a renaissance across a broad spectrum of philosophical fields, ranging from metaphysics to bioethics. This volume is the first to bring together original essays that both address the fundamental questions of the metaphysics of death and explore the relationship between those questions and some of the areas of applied ethics in which they play a central role.
Originally published in 1962 and made in 1967 into an acclaimed documentary film starring James Mason, this book has been a must-have for anyone with an interest in London ever since
When her seedy and importunate Aunt Elena turns up on her doorstep at midnight having been burned out of her old people's home, V.I. Warshawski is exasperated rather than curious. Her interest is aroused however, when an old friend, now a politician, puts pressure on her to investigate.
