A Study in Scarlet introduced the great scientific detective Sherlock Holmes and Doctor Watson, his friend and chronicler, to the reading public. This novel, a cornerstone in the annals of crime fiction, tells of their first meeting and how they set up in rooms together in Baker Street. It is not long before the charismatic sleuth and his faithful companion are plunged into a dramatic mystery which starts with the discovery of a corpse in a deserted house and the letters RACHE scrawled on the wall in blood.
The Complete Poetic and Dramatic works of Robert Browning
Added by: arcadius | Karma: 2802.10 | Fiction literature | 15 August 2009
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Robert Browning (7 May 1812 – 12 December 1889) was an English poet and playwright whose mastery of dramatic verse, especially dramatic monologues, made him one of the foremost Victorian poets.
New Link Added 23.02.2010 Hotfile.com - DJVU Edition 26.1MB Check the MIRROR BOX
1-How to Write a Damn Good Novel: A Step-by-Step No Nonsense Guide to Dramatic Storytelling
2-How to Write a Damn Good Novel, II: Advanced Techniques For Dramatic Storytelling
by James N. Frey
Frey ( How To Write a Damn Good Novel , St. Martin's, 1987) expands on his earlier take on the art of novel writing. His focus here is on dramatic fiction. Using examples from a broad range of fiction, he shows what these works have in common and how writers can learn from the authors to improve their own writing. Some of the areas discussed are developing characters, creating suspense, using a strong narrative voice, and understanding the author/reader contract. Chapter 8, entitled "The Seven Deadly Mistakes," talks about being timid, trying to be literary, and the failure to produce; it gives some advice on how to avoid these writing traps. The final word is to write with passion.
Added by: lucius5 | Karma: 1660.85 | Non-Fiction, Other | 5 May 2009
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Having defeated a Germanic invasion of northern Italy, the Emperor Aurelian surrounded Rome with a powerful circuit of walls. This great fortification is one of the best preserved of all city walls in the Roman Empire and remains a dramatic feature of Rome today, representing the most emblematic and the most enduring monument of Aurelian's age.
This practical guide provides the principles of dramatic writing. Playwrights and screenwriters will discover these essential principles and acquire the tools to put them to use. Sam Smiley incorporates extensive new material in Playwriting: The Structure of Action, a revised edition of the book that dramatists in theatre and film have relied on for more than twenty-five years. No writer, director, critic, or teacher concerned with dramatic writing should be without this intelligent and inspiring guide.
