In both feminist theory and Shakespearean criticism, questions of sexuality have consistently been conflated with questions of gender. This book, refusing to adopt this approach, instead details the intersections and contradictions between sexuality and gender in the early modern period. It argues that desire and anxiety constitute the erotic in Shakespearean drama - circulating throughout the dramatic texts, traversing "masculine" and "feminine" sites, eliciting and expressing heterosexual and homoerotic fantasies, embodiments and fears. Taking heterosexuality and homoeroticism equally seriously, the book presents a non-normalizing account of the unconscious and institutional prerogatives that comprise the erotics of Shakespearean drama. Employing feminist, psychoanalytic and new historical methods, using each to interrogate the other, the book implements a synthesis of the psychic and the social, the individual and the institutional. This book should be of interest to undergraduates and academics in the field of Shakespearean studies, Renaissance literature and cultural, gender studies.
This wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers need to engage with in order to appreciate modern theatre in all its complexity. - An authoritative guide to modern British and Irish drama. - Engages with theoretical discourses challenging a canon that has privileged London as well as white English males and realism.
A Concise Companion to Contemporary British and Irish Drama investigates key issues in British and Irish theatre since 1979. Covering topics from globalisation, genocide and terrorism to the use of new technologies, and physical and verbatim theatre practices, this volume illustrates the extraordinary diversity of contemporary drama and performance.
This most famous German anti-war novel was publicly denounced by the Nazis. It tells the story of six German youths and their grim experiences in the trenches during World War I.
For this novel of French bourgeois life in all its inglorious banality, Flaubert invented a paradoxically original and wholly modern style. His heroine, Emma Bovary, a bored provincial housewife, abandons her husband to pursue the libertine Rodolphe in a desperate love affair. A succès de scandale in its day, Madame Bovary remains a powerful and arousing novel.
