This text represents a valuable introduction to the theories and practice of Augusto Boal. GFA, unlike its predecessor the Theatre of the Oppressed, contains practical exercises as well as an introduction to the important theoretical work of Boal. Boal's major innovations (such as Forum Theatre and Image Theatre) are introduced, discussed, and illustrated with examples, thus effectively allowing the reader to enter into the dialogue of using and refining the techniques. I would recommend this to any performer, artist, educator, or theatre worker who is unfamiliar with the work of Boal.
This guide for actors and directors develops a valid method for training performers to act from their core--whether they are cold reading, auditioning, or performing for film or television. This book teaches actors how to achieve and respond to believable and honest emotions before the camera, and it maintains that the key to a successful performance lies in how the actors relate to one another and to the circumstances. Exercises, including script examples, throughout the book give readers an easy resource for practicing the principles outlined.
Attention is often given to the performance of a text, but not to the shaping process behind that performance. The question of rehearsal is seldom confronted directly, though important textual moments - like revision - are often attributed to it. Furthermore, up until now, facts about theatrical rehearsal have been considered irrecoverable. In this groundbreaking new study, Tiffany Stern gathers together two centuries' worth of historical material which shows how actors received and responded to their parts.
Actors and Icons of the Ancient Theater examines actors and their popular reception from the origins of theater in Classical Greece to the Roman Empire Presents a highly original viewpoint into several new and contested fields of study Offers the first systematic survey of evidence for the spread of theater outside Athens and the impact of the expansion of theater upon actors and dramatic literature Addresses a study of the privatization of theater and reveals how it was driven by political interests
The Economist is an English-language weekly news and international affairs publication owned by The Economist Newspaper Ltd and edited in London. Continuous publication began under founder James Wilson in September 1843. The audio edition contains word-for-word recordings of all articles published in The Economist, read by professional broadcasters and actors. It is ideal for anyone who wants to listen to articles while travelling, exercising or just relaxing.
