Owning your own shadow

This powerful work from acclaimed Jungian analyst and best-selling author of 'He', 'She' and 'We' explores our need to 'own' our own shadow – the term Jung used to describe the dark, unlit part of the ego. Robert Johnson guides us through an exploration of the shadow: what it is, how it originates, and how it interacts and is made through the process of acculturation.

Johnson asserts that until we have undertaken the task of accepting and honouring the shadow within us, we cannot be balanced or whole, for what is hidden never goes away, but merely – and often painfully – turns up in unexpected places.

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As the hundredth anniversary approaches, it is timely to reflect not only upon the Great War itself and on the memorials which were erected to ensure it did not slip from national consciousness, but also to reflect upon its rich and substantial cultural legacy. This book examines the heritage of the Great War in contemporary Britain. It addresses how the war maintains a place and value within British society through the usage of phrases, references, metaphors and imagery within popular, media, heritage and political discourse.

War and Peace is a novel by Leo Tolstoy, published in 1869, after portions of a previous version were serialized from 1865–1867 in The Russian Messenger. It chronicles the epic story of the French invasion of Russia, of the events leading up to it and the reactions of five major aristocratic families within Russian society during the Napoleonic Era.

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This significant new guide to finance has a broader scope and greater emphasis on general principles than most other books of its kind, which typically focus exclusively on corporate finance. Acclaimed authors Bodie and Merton offer an approach balanced among the three "pillars" of finance–optimization over time, asset valuation, and risk management. It encompasses all subfields of finance within a single unifying conceptual framework. Offers the "big picture" of resource allocation over time under conditions of uncertainty.

This book is aimed at students working for 'A' level examinations, and should also be useful for first-year university students of English. The book attempts to sharpen the student's sense of the special nature of drama as a genre, and of its variety and power. It offers detailed critical appreciation of the nature and effectiveness of dramatic methods within a number of great plays, selected from a range of different cultures and historical periods.