Mirror —Andrei Tarkovsky's most complex autobiographical film—is the subject of this critical companion. The film reconstructs and records ironic memories and emotional impressions in the life of an individual, nation, and era. The critical acclaim was overwhelming, and Mirror is still the favorite Tarkovsky film of most Russians. This book provides a production history, critical analysis, and overview of the film's initial reception.

Sculpting in Time: Tarkovsky The Great Russian Filmmaker Discusses His Art

Tarkovsky, who died in exile in 1986, was considered by some Western film critics to be one of Russia's foremost latter-day filmmakers. Tarkovsky elaborates in much detail on his theory of filmmaking, including editing, music, film acting, and what he calls "rhythm," which he considers the dominant factor. In Sculpting in Time, Andrey Tarkovsky has left his artistic testament, a remarkable revelation of both his life and work. He sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films.