Over the course of ten previous novels, Daniel Silva has established himself as one of the world's finest writers of international intrigue and espionage - 'a worthy successor to such legends as Frederick Forsyth and John le Carre' (Chicago Sun-Times) - and Gabriel Allon as 'one of the most intriguing heroes of any thriller series' (The Philadelphia Inquirer). Now the death of a journalist leads Allon to Russia, where he finds that, in terms of spycraft, even he has something to learn. He's playing by Moscow rules now.
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Over the course of a remarkable career, Daniel Silva has established himself as one of the world's finest writers of international intrigue, a craftsman worthy of comparison to John le Carre and Graham Greene. His latest bestseller, Moscow Rules, was not only superior entertainment, but a prescient cautionary tale about the emergence of the New Russia. Now he takes that tale to the next level.
Few recent thriller writers have excited the kind of critical praise that Daniel Silva has, with his novels featuring art restorer and sometime spy Gabriel Allon. Now Allon is back in Venice, when a terrible explosion in Rome leads to a disturbing personal revelation: the existence of a dossier in the hands of terrorists that strips away his secrets, lays bare his history.
"Who the hell are you?" Benjamin Stern's rude question to the intruder in his apartment was answered quickly by an equally rude -- and fatal -- bullet. This is only the first shot in The Confessor, Daniel Silva's rapidly thrusting thriller. This adroitly plotted, multilayered novel features Gabriel Allon, the ex-Mossad operative art restorer who held us enthralled in The Kill Artist and The English Assassin.
