Camera Obscura Camera Lucida - Essays in Honor of Annette Michelson
Annette Michelson’s contributions to art and film criticism over the last three decades have been unparalleled. This volume honors her unique legacy with original essays by some of the many scholars who have been influenced by her work. Some continue her efforts to develop theoretical frameworks for understanding modernist art, while others practice her form of interdisciplinary criticism in relation to avant-garde and modernist art works and artists. Still others investigate and evaluate Michelson’s work itself. All in some way pay homage to her extraordinary contribution.
Modernist Myth: Studies in H.D., D.H. Lawrence, and Virginia Woolf (Cultural Studies Throught Literature)
The writers in this study were living at the edge of change, in a world severely rocked by world conflict -- a 'maelstrom' of upheaval of values, of community standards, and of philosophical visions. Their task was to "give [themselves and others] the power to change the world that is changing them, to make their way through the maelstrom and make it their own." Their response was not to embrace the chaos, but to move through it and re-establish limits in the broader beyond.
This guide to conceptual art traces the issues and concerns of the first generation of artists involved in the foundation of the movement, with an essay exploring the historical basis of conceptual art, its relationship to the dominant aesthetics of the 1960s, namely the modernist theory of Clement Greenberg and his disciples, and the influence of conceptual art on today’s art and cultural climate.
From Modernism to Postmodernism: American Poetry and Theory in the Twentieth Century
In this overview of twentieth-century American poetry, Jennifer Ashton explores the complex currents of poetic and intellectual interest linking contemporary poets with their modernist forebears, including Stein, Williams and Pound. She develops important ways to read modernist and postmodernist poetry through their similarities as well as their differences.
Modernism and Democracy: Literary Culture 1900-1930
Anglo-American modernist writing and modern mass democratic states emerged at the same time, during the period of 1900-1930. Yet writers such as T. S. Eliot, W. B. Yeats, Ezra Pound, Wyndham Lewis, and Ford Madox Ford were notoriously hostile to modern democracies. They often defended, anti-democratic forms of cultural authority. Since the late 1970s, however, our understanding of modernist culture has altered as previously marginalized writers, in particular women such as Gertrude Stein, Djuna Barnes, H. D. and Mina Loy have been reassessed.
