Homicide is always an abomination, but there is something exceptionally disturbing about the victim discovered in a high lonely place, a corpse with a mouth full of sand, abandoned at a crime scene seemingly devoid of tracks or useful clues. Though it goes against his better judgment, Navajo Tribal Police Lieutenant Joe Leaphorn cannot help but suspect the hand of a supernatural killer. There is palpable evil in the air, and Leaphorn's pursuit of a Wolf-Witch is leading him where even the bravest men fear, on a chilling trail that winds perilously between mysticism and murder.
Retirement has never sat well with former Navajo Tribal Police Lieutenant Joe Leaphorn. Now the ghosts of a still-unsolved case are returning to haunt him, reawakened by a photograph in a magazine spread of a one-of-a-kind Navajo rug, a priceless work of woven art that was supposedly destroyed in a suspicious fire many years earlier. The rug, commemorating one of the darkest and most terrible chapters in American history, was always said to be cursed, and now the friend who brought it to Leaphorn's attention has mysteriously gone missing.
The marvelous Hunting Badger is Tony Hillerman's 14th novel featuring Navajo tribal police officers Joe Leaphorn and Jim Chee. Here the two cops (who appeared in separate books early on but whose paths now cross routinely) are working two angles of the same case to catch the right-wing militiamen who pulled off a violent heist at an Indian casino. Hillerman serves up plenty of action and enough plot twists to keep readers off balance, leading up to a satisfyingly tense climax in which Leaphorn and Chee stalk a killer in his hideout.
The modern resurgence of the black death animates Hillerman's 14th tale featuring retired widower Navajo Tribal Police Lieutenant Joe Leaphorn and Acting Lieutenant Jim Chee. Bubonic plague has survived for centuries in the prairie-dog villages of the Southwest, where its continuing adaptation to modern antibiotics has increased its potential for mass destruction. Leaphorn is hired by a wealthy Santa Fe woman to search for her granddaughter, biologist Catherine Pollard, who has disappeared during her field work as a "flea catcher," collecting plague-carrying specimens from desert rodents.
Vibrant with the spirit of the Navajo people of the Southwest, Hillerman's new story is a spellbinder, like his Edgar Winner Dance Hall of the Dead and other praised novels. Joe Leaphorn and Jim Chee of the tribal police work together here, trying to solve crimes that resist logic. There are no clues to three homicides or to the attempted murder of Chee. Leaphorn thinks a "skinwalker," or witch, could have attacked the victims, all adherents of shamanism, as they are otherwise unrelated. The skinwalkers represent a schism between witchcraft and the traditional Navajo Way. A second attempt on Chee bolsters Leaphorn's suspicion since Chee is an aspiring shaman.
