Douglas Robinson offers the most comprehensive collection of translation theory readings available to date, from the Histories of Herodotus in the mid-fifth century before our era to the end of the nineteenth century. The result is a startling panoply of thinking about translation across the centuries, covering such topics as the best type of translator, problems of translating sacred texts, translation and language teaching, translation as rhetoric, translation and empire, and translation and gender.
Herodotus, one of the earliest and greatest of Western prose authors, set out in the late fifth century BC to describe the world as he knew it - its peoples and their achievements, together with the causes and course of the great wars that brought the Greek cities into conflict with the empires of the Near East. Each subsequent generation of historians has sought to use his text and to measure their knowledge of these cultures against his words.
Herodotus' "Histories can be read in many ways. Their literary qualities, never in dispute, can be more fully appreciated in the light of recent developments in the study of pragmatics, narratology, and orality. Their intellectual status has been radically reassessed: no longer regarded as naove and 'archaic', the "Histories are now seen as very much a product of the intellectual climate of their own day - not only subject to contemporary literary, religious, moral and social influences, but actively contributing to the great debates of their time.
Popularly known as the 'Father of History', Herodotus is the first major prose writer in the history of Western literature whose work has survived in full. At a time when the ancient Greeks' knowledge of the past relied on orally transmitted memories, he was a pioneering historical practitioner who explored the interplay of myth and history and the role of narrative in history. Contributors to this volume analyze Herodotus' Histories and their influence. Taking a thematic approach, they explore the Histories and their context, techniques and themes, representation of the Greeks' relationships with foreigners and reception.
