Added by: Andie42 | Karma: 4415.89 | Fiction literature | 10 September 2018
2
Can't Wait to Get to Heaven
Combining southern warmth with unabashed emotion and side-splitting hilarity, Fannie Flagg takes readers back to Elmwood Springs, Missouri, where the most unlikely and surprising experiences of a high-spirited octogenarian inspire a town to ponder the age-old question: Why are we here? In this comedy-mystery, those near and dear to Elner discover something wonderful: Heaven is actually right here, right now, with people you love, neighbors you help, friendships you keep. Can’t Wait to Get to Heaven is proof once more that Fannie Flagg “was put on this earth to write”.
The Five People You Meet in Heaven - Penguin READERS - Level 5
THE FIVE PEOPLE YOU MEET IN HEAVEN addresses the meaning of life, and life after death, in the poignant way that made TUESDAYS WITH MORRIE.An elderly amusement park maintenance worker named Eddie who, while operating a ride called the 'Free Fall', dies while trying to save a young girl who gets in the way of a falling cart that hurtles to earth. Eddie goes to heaven, where he meets five people who were unexpectedly instrumental in some way in his life.
The discovery of a strange and superior warship sends Dion, youngest son of the king of Xanthos, and Chloe, a Phalesian princess, on a journey across the sea, where they are confronted by a kingdom far more powerful than they could ever have imagined. But they also find a place in turmoil, for the ruthless sun king, Solon, is dying. In order to gain entrance to heaven, Solon is building a tomb—a pyramid clad in gold—and has scoured his own empire for gold until there’s no more to be found.
Why Call Them Back From Heaven (audiobook)Author: Clifford Simak
Clifford D. Simak's Why Call Them Back from Heaven postulates a time in which all of humanity has been given the right to be frozen and revived after the puzzle of human immortality has been worked out.
Heaven or Heresy: A History of the Inquisition Thomas F. Madden For many, the Inquisition conjures Gothic images of cloaked figures and barbarous torture chambers. So enmeshed is this view of the Inquisition in popular culture that such scenes play out even in comedies such as Mel Brooks' History of the World and Monty Python's Flying Circus. But is this a fair portrayal?
