Who is the mysterious robber that disappears from the scene of the crime without a trace? What does the strange criss-cross pattern on the ground mean? Can the Five Find-Outers and Dog discover the thief's identity before Mr Goon does?
Newcomers to Iowa are always amazed at the yearly changes in the heights of fields. The landscape expands from ground level to ten feet tall and back again every year: from frozen bare ground in winter to light green sprouts in late spring to dark green corn in late summer to acre upon acre of dry cornstalks at harvest time. Slow and unwieldy machines take up more than their share of the roads, clouds of black or yellow dust cover the fields in spring and fall, pigs (or are they hogs?) in various colors look out from fences, huge tractors with complicated add-ons lumber through the fields, shiny silos linked with tentacles tower above tidy white farmhouses dwarfed by huge red barns.
This story is about a fox named Mr Fox. In order to feed his family, Mr Fox steals chickens, ducks, and turkeys, each night from three mean and wealthy farmers: Boggis, Bunce, and Bean. The farmers are fed up with Mr Fox's theft and try to kill him. One night, the farmers wait outside Mr Fox's foxhole in an attempt to ambush him. When Mr Fox emerges from his home, the farmers fire at him. H
Determined to catch him, the farmers use spades and shovels to dig their way into the foxes' home. However, Mr and Mrs Fox and their four children escape by digging a tunnel deeper into the ground. The farmers then use bulldozers in order to dig deeper into the ground, but to no avail.
Filmmakers have long been drawn to the Gothic with its eerie settings and promise of horror lurking beneath the surface. Moreover, the Gothic allows filmmakers to hold a mirror up to their own age and reveal society's deepest fears. Franco Zeffirelli's Jane Eyre, Francis Ford Coppola's Bram Stoker's Dracula, and Kenneth Branagh's Hamlet are just a few examples of film adaptations of literary Gothic texts. In this ground-breaking study, Lisa Hopkins explores how the Gothic has been deployed in these and other contemporary films and comes to some surprising conclusions.
Broken Pencil reviews the best zines, books, websites, videos, and artworks from the underground and reprints the best articles from the alternative press. Also, ground breaking interviews, original fiction, and commentary on all aspects of the independent arts.
