Why Good People Do Bad Things: Understanding Our Darker Selves
Working with the Shadow is not working with evil, per se. It is working toward the possibility of greater wholeness. We will never experience healing until we can come to love our unlovable places, for they, too, ask love of us. How is it that good people do bad things? Why is our personal story and our societal history so bloody, so repetitive, so injurious to self and others?
What sort of person kills, then cannibalizes his victim? Or stalks and terrorizes his prey? And what separates him from the rest of us? In Bad Men Do What Good Men Dream: a Forensic Psychiatrist Illuminates the Darker Side of Human Behavior, Robert I. Simon, Clinical Professor of Psychiatry and Director of the Program in Psychiatry and Law at Georgetown University School of Medicine, trains the Klieg light of his intellect and experience to illuminate our shadowy world and that of violent criminals a difference more of degree than of kind.
Bound by the demon of Doubt, Sabin unintentionally destroys even the most confident of lovers. So the immortal warrior spends his time on the battlefield instead of the bedroom, victory his only concern - until he meets Gwendolyn the Timid. One taste of the beautiful redhead, and he craves more. Gwen, an immortal herself, always thought she'd fall for a kind human who wouldn't rouse her darker side. But when Sabin frees her from prison, battling their enemies for the claim to Pandora's box turns out to be nothing compared to the battle Sabin and Gwen will wage against love.
John D. MacDonald is best known as the creator of that famous adventure and folk hero, Travis McGee. In DARKER THAN AMBER McGee and his philosophical cohort Meyer rescue a beautiful Eurasian woman from her "friends." Her eyes, "just a little darker than amber," pull them into a crisis that nearly finishes them. As the mystery unfolds, McGee follows to its end the trail of a band of murderous profiters.
When Ladies Go A-Thieving - Middle Class Shoplifters in the Victorian Department Store
This book focuses on middle-class urban women as participants in new forms of consumer culture. Within the special world of the department store, women found themselves challenged to resist the enticements of consumption. Many succumbed, buying both what they needed and what they desired, but also stealing what seemed so readily available. Pitted against these middle-class women were the management, detectives, and clerks of the department stores. Abelson argues that in the interest of concealing this darker side of consumerism, women of the middle class, but not those of the working class, were allowed to shoplift and plead incapacitating illness--kleptomania.
