Presents the historical events and social issues of colonial America through twenty-four primary documents, including diary entries, poems, and personal narratives.

The idea of the "outside" as a space of freedom has always been central in the literature of the United States. This concept still remains active in contemporary American fiction; however, its function is being significantly changed. Outside, America argues that, among contemporary American novelists, a shift of focus to the temporal dimension is taking place. No longer a spatial movement, the quest for the outside now seeks to reach the idea of time as a force of difference, a la Deleuze, by which the current subjectivity is transformed. In other words, the concept is taking a "temporal turn."

Who are the real citizens of America? Which people truly qualify for equality under the law? Two hundred years ago, an honest answer to these questions would have excluded not only women, slaves, and Indians, but also Germans, Scotch-Irish, Catholics, and Jews. Yet the Declaration of Independence expresses a profound commitment to the ideal of equal citizenship.

“The history of Shakespeare in America,” writes James Shapiro in his introduction to this groundbreaking anthology, “is also the history of America itself.” Shakespeare was a central, inescapable part of America’s literary inheritance, and a prism through which crucial American issues—revolution, slavery, war, social justice—were refracted and understood.

Through an analysis of textual representations of the American landscape, this book looks at how North America appeared in books printed on both sides of the Atlantic between the years 1660 and 1745. A variety of literary genres are examined to discover how authors described the landscape, climate, flora and fauna of America, particularly of the new southern colonies of Carolina and Georgia.Chapters are arranged thematically, each exploring how the relationship between English and American print changed over the 85 years under consideration.