The Medieval Origins of the Legal Profession - Canonists, Civilians and Courts

In the aftermath of sixth-century barbarian invasions, the legal profession that had grown and flourished during the Roman Empire vanished. Nonetheless, professional lawyers suddenly reappeared in Western Europe seven hundred years later during the 1230s when church councils and public authorities began to impose a body of ethical obligations on those who practiced law. James Brundage’s The Medieval Origins of the Legal Profession traces the history of legal practice from its genesis in ancient Rome to its rebirth in the early Middle Ages and eventual resurgence in the courts of the medieval church.

Universe of Stone - A Biography of Chartres Cathedral

Chartres Cathedral, south of Paris, is revered as one of the most beautiful and profound works of art in the Western canon. But what did it mean to those who constructed it in the twelfth and thirteenth centuries-and why was it built at such immense height and with such glorious play of light, in the soaring manner we now call Gothic?In this eminently fascinating work, author Philip Ball makes sense of the visual and emotional power of Chartres and brilliantly explores how its construction-and the creation of other Gothic cathedrals-represented a profound and dramatic shift in the way medieval thinkers perceived their relationship with their world.

Frederick II - A Medieval Emperor

Frederick II of Hohenstaufen, Holy Roman Emperor, King of Sicily, King of Jerusalem, has, since his death in 1250, enjoyed a reputation as one of the most remarkable monarchs in the history of Europe. His wide cultural tastes, his apparent tolerance of Jews and Muslims, his defiance of the papacy, and his supposed aim of creating a new, secular world order make him a figure especially attractive to contemporary historians.

Rudy Autio

This new biography, written by Louana Lackey, is a history and celebration of Autio's life, work, career, and techniques. Rudy Autio is considered one of the most important and influential ceramic artists working in the United States in the last fifty years. With works in the permanent collections of museums around the world, he has left an indelible mark on the world with his art. 

Warped Space: Art, Architecture, and Anxiety in Modern Culture

Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality. Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but full of disturbing forms, including those of architecture and the city.