...a veritable symphony of intertextuality constructed entirely of the semiotics of Shakespeare in moving images. -- Shakespeare Bulletin 20.1 (Winter 2002): 39-41
Treating both canonical and noncanonical films . . . (the book) holds its own in a now-cluttered field. -- Choice, July 1, 2002
[This] readable and informative book . . . revels in how celluloid and electronics have challenged traditional ways of looking at Shakespeare. -- Cineaste 28.1(Winter 2002): 54--This text refers to the